Showing posts with label mixed media. Show all posts
Showing posts with label mixed media. Show all posts
Tuesday, July 03, 2007
Thursday, May 24, 2007
Nancy Grossman
* I was recently reminded of an artist who gained notoriety in the 1960s and 1970s: Nancy Grossman. While she has worked in sculpture and mixed media, it is her drawings that intrigue me, particularly her "Gunhead" images. Even though her work was created 30+ years ago, these drawings are relevant to the present day. These drawings make us confront the violence endemic to ourselves as individuals and as a society and how intimate we are with weapons and the destruction mindset. In our highly technological age we are so intimate with these weapons, we are practically conjoined to or hybridized with these weapons--at the same time our awareness to their effects is distanced and blinded. As we invent more destructive and complex weapons, we move further out from intimacy with the victims. A soldier can bomb a village or town from hundreds of miles away and never see a drop of blood. More than any other situation, war exhibits man's inhumanity to man. In light of current events, Grossman's drawings become more and more poignant.
Gunhead, lithography crayon on coated paper, 1975
Liliaceae, lithography crayon, graphite, wash and paper collage on paper, 1973
Hitman, lithography crayon, graphite, wash and paper collage on paper, 1973Nancy Grossman's biography at the Michael Rosenfeld Gallery in New York
Nancy Grossman on ArtNet
* Photo is by Richard Avedon. Nancy Grossman is on the right pictured with fellow artist Anita Siegel.
Labels:
Anita Siegel,
drawing,
mixed media,
Nancy Grossman,
Richard Avedon,
war
Tuesday, March 06, 2007
Ned Kahn -- A Force of Nature
From Ned Kahn's Artist's Statement:"The confluence of science and art has fascinated me throughout my career. For the last fifteen years, I have developed a body of work inspired by atmospheric physics, geology, astronomy and fluid motion. I strive to create artworks that enable viewers to observe and interact with natural processes. I am less interested in creating an alternative reality than I am in capturing, through my art, the mysteriousness of the world around us.
My artworks frequently incorporate flowing water, fog, sand and light to create complex and continually changing systems. Many of these works can be seen as "observatories" in that they frame and enhance our perception of natural phenomena. I am intrigued with the way patterns can emerge when things flow. These patterns are not static objects, they are patterns of behavior - recurring themes in nature." (1)
His website: nedkahn.com
Fragmented Sea
Mesa Art Center,
Mesa, AZ 2005
You can also view videos of his art in action on his website.
Labels:
art and science,
Fragmented Sea,
mixed media,
Ned Kahn,
wind
Tuesday, May 02, 2006
Nigerian Artist -- El Anatsui
El Anatsui is an interesting contemporary artist. There is an article about him in the May 2006 Art in America. He makes "tapestries" out of cast-off materials and native African wood. The pieces made from liquor bottle caps have an African sensibility about pattern and abstraction, but they also seem to dazzle like a Klimt.
Thursday, November 17, 2005
Me and You and Everyone We Know
A few weeks ago, I watched this provocative and poetic little film about the quirkiness of human behavior, love, and growing up. Of course, that summary is inadequate. Here is a link to the film's website. The film is probably not for all as it involves some controversial subject matter, but a good film nonetheless.
The filmmaker, Miranda July, is a visual artist in her own right. On her site, mirandajuly.com, you can find interactive activities. One of the more interesting and fun pages is the "Learning to Love You More" page that provides the websurfer with "assignments" to complete and turn in which are then shared with the rest of the audience. These "assignments" have limitations and criteria. Some examples of "assignments" are as follows:
#50 Take a flash photo under your bed. Here is Rebecca Croft's photo:

#53 Give advice to yourself in the past. Here is Julia Henderson's response:
"Advice to Julia K.Henderson at age 10.
1. Math will never be your strong point. Ms.Bell knows you are smart, but stop worrying about what she thinks!
2. Concentrate on your art, it s beautiful.
3. Love the fact that you are a choir geek ! You love to sing and it s wonderful.
4. You have beautiful hair and flawless skin, stop worrying about being chubby. The cushioning will redistribute and be wonderful assets soon.
5. Relax a little. The world is not going to fall apart if you stop telling it what to do. Promise."
There are 51 more of these "assignments" and the results are fun to look at if you decide not to participate. Some are even potentially therapeutic if you do decide to participate.
© Stephanie Lewis, 2005
The filmmaker, Miranda July, is a visual artist in her own right. On her site, mirandajuly.com, you can find interactive activities. One of the more interesting and fun pages is the "Learning to Love You More" page that provides the websurfer with "assignments" to complete and turn in which are then shared with the rest of the audience. These "assignments" have limitations and criteria. Some examples of "assignments" are as follows:
#50 Take a flash photo under your bed. Here is Rebecca Croft's photo:

#53 Give advice to yourself in the past. Here is Julia Henderson's response:
"Advice to Julia K.Henderson at age 10.
1. Math will never be your strong point. Ms.Bell knows you are smart, but stop worrying about what she thinks!
2. Concentrate on your art, it s beautiful.
3. Love the fact that you are a choir geek ! You love to sing and it s wonderful.
4. You have beautiful hair and flawless skin, stop worrying about being chubby. The cushioning will redistribute and be wonderful assets soon.
5. Relax a little. The world is not going to fall apart if you stop telling it what to do. Promise."
There are 51 more of these "assignments" and the results are fun to look at if you decide not to participate. Some are even potentially therapeutic if you do decide to participate.
© Stephanie Lewis, 2005
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